From Kim A. Snyder, director of the Peabody Award-winning documentary Newtown, comes an insightful, rousing coming-of-age story of a generation of youth leaders determined to take the reigns and fight for justice at a most critical time in our nation’s history.
Sparked by the plague of gun violence ravaging their schools, Us Kids chronicles the March For Our Lives movement over the course of several years. https://www.utahfilmcenter.org/event/midvale-drive-in-us-kids/
From Kim A. Snyder, director of the Peabody Award-winning documentary Newtown, comes an insightful, rousing coming-of-age story of a generation of youth leaders determined to take the reigns and fight for justice at a most critical time in our nation’s history.
Sparked by the plague of gun violence ravaging their schools, Us Kids chronicles the March For Our Lives movement over the course of several years. https://www.utahfilmcenter.org/event/midvale-drive-in-us-kids/
About the Film From the director of Bend It Like Beckham comes the story of Javed, a Pakistani teenager who experiences racial and economic turmoil while living in Luton, England, in 1987. He writes poetry as a way to escape the intolerance of his hometown and the stubborn views of his traditional father. When a classmate introduces him to the music of Bruce Springsteen, Javed sees parallels between the singer’s powerful lyrics and his own working-class environment. Springsteen’s melodies soon inspire Javed to find his own voice and follow his dreams.
About the Film From the director of Bend It Like Beckham comes the story of Javed, a Pakistani teenager who experiences racial and economic turmoil while living in Luton, England, in 1987. He writes poetry as a way to escape the intolerance of his hometown and the stubborn views of his traditional father. When a classmate introduces him to the music of Bruce Springsteen, Javed sees parallels between the singer’s powerful lyrics and his own working-class environment. Springsteen’s melodies soon inspire Javed to find his own voice and follow his dreams.
About the Film From the director of Bend It Like Beckham comes the story of Javed, a Pakistani teenager who experiences racial and economic turmoil while living in Luton, England, in 1987. He writes poetry as a way to escape the intolerance of his hometown and the stubborn views of his traditional father. When a classmate introduces him to the music of Bruce Springsteen, Javed sees parallels between the singer’s powerful lyrics and his own working-class environment. Springsteen’s melodies soon inspire Javed to find his own voice and follow his dreams.
About the Film From the director of Bend It Like Beckham comes the story of Javed, a Pakistani teenager who experiences racial and economic turmoil while living in Luton, England, in 1987. He writes poetry as a way to escape the intolerance of his hometown and the stubborn views of his traditional father. When a classmate introduces him to the music of Bruce Springsteen, Javed sees parallels between the singer’s powerful lyrics and his own working-class environment. Springsteen’s melodies soon inspire Javed to find his own voice and follow his dreams.
About the Film Sent from her foster home in the city one summer to a sleepy town by the sea in Hokkaido, Anna dreams her days away among the marshes. She believes she’s outside the invisible magic circle to which most people belong – and shuts herself off from everyone around her, wearing her “ordinary face”. Anna never expected to meet a friend like Marnie, who does not judge Anna for being just what she is. But no sooner has Anna learned the loveliness of friendship than she begins to wonder about her newfound friend…
utahfilmcenter.org
About the Film Sent from her foster home in the city one summer to a sleepy town by the sea in Hokkaido, Anna dreams her days away among the marshes. She believes she’s outside the invisible magic circle to which most people belong – and shuts herself off from everyone around her, wearing her “ordinary face”. Anna never expected to meet a friend like Marnie, who does not judge Anna for being just what she is. But no sooner has Anna learned the loveliness of friendship than she begins to wonder about her newfound friend…
utahfilmcenter.org
About the Film When Chris (Daniel Kaluuya), a young African-American man, visits his white girlfriend’s (Allison Williams) family estate, he becomes ensnared in the more sinister, real reason for the invitation. About the Drive-In Tickets now on sale! Space is limited and tickets must be bought in advance – only 1 ticket is required per vehicle Drive-in located in the parking lot behind the Belgian Waffle & Omelet Inn. Gates open at 7:30pm The film will start at 8:30pm The audio for the movie is broadcast through an FM transmitter (radio). If you don’t have an FM transmitter in your car you can bring a battery-operated stereo with speakers to hear the movie. Large vehicles will be parked in the back. Sorry, no passenger vans or diesel engine trucks permitted, and lift gates/hatches cannot be raised if the view of other guests is blocked. The movie is to be watched from inside your car or within your designated parking stall. Masks are required upon leaving your designated area. Social distancing and mask-wearing will be enforced in all public areas. Port-a-potties are available.
utahfilmcenter.org
About the Film When Chris (Daniel Kaluuya), a young African-American man, visits his white girlfriend’s (Allison Williams) family estate, he becomes ensnared in the more sinister, real reason for the invitation. About the Drive-In Tickets now on sale! Space is limited and tickets must be bought in advance – only 1 ticket is required per vehicle Drive-in located in the parking lot behind the Belgian Waffle & Omelet Inn. Gates open at 7:30pm The film will start at 8:30pm The audio for the movie is broadcast through an FM transmitter (radio). If you don’t have an FM transmitter in your car you can bring a battery-operated stereo with speakers to hear the movie. Large vehicles will be parked in the back. Sorry, no passenger vans or diesel engine trucks permitted, and lift gates/hatches cannot be raised if the view of other guests is blocked. The movie is to be watched from inside your car or within your designated parking stall. Masks are required upon leaving your designated area. Social distancing and mask-wearing will be enforced in all public areas. Port-a-potties are available.
utahfilmcenter.org
